Independent photographer based in Copenhagen.
My work is deeply influenced by film aesthetics and the quiet poetry of everyday life. I am drawn to images that calm, restrained, imperfect, yet full of presence.
I love simplicity, generous negative space, layered foregrounds, and moodier tones that allow emotions and light to unfold naturally. Rather than directing perfect poses, I am more interested in subtle gestures, fleeting glances, ambient sounds, and the moments in between, where people often appear most like themselves.
Whether through photographs or films, I hope to create visual memories that feel intimate, cinematic, and deeply personal.
Not as an attempt to make moments last forever, but as a way of acknowledging their fragility and allowing them to bloom once more, quietly and briefly, like flowers reflected in mirror.
Mirror Flower takes its name from the Chinese idiom 镜花水月 Jing Hua Shui Yue (Mirror Flowers, Water Moon), a metaphor for the elusive and transient beauty of life like flowers reflected in a mirror, or the moon shimmering on water: visible, luminous, yet impossible to hold onto.
Photography has always reminded me of this image. It cannot truly stop time, nor preserve people exactly as they once were. Instead, it offers us a gentle opportunity to return, for a moment, to something that has already begun to disappear.
Years of playing Qin，tea practice and meditation practice have gradually shaped the way I observe the world. Influenced by Buddhist teachings on impermanence, I have come to appreciate the quiet beauty of passing moments - changing light, flowers blooming and falling, children growing, familiar faces subtly transformed by time.
Photography, to me, is less about preserving eternity than about a way to connect with the essence of existence. It is a practice of observation, of presence, and of learning to cherish what cannot remain.